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Elodie Roy

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  • 2021

    Another side of shellac: Cultural and natural cycles of the gramophone disc

    Roy, E. A., 25 Feb 2021, Audible Infrastructures: Music, Sound, Media. Devine, K. & Boudreault-Fournier, A. (eds.). Oxford: Oxford University Press, p. 207-226 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  • 2018

    Reissue programmes: Framing the past as project

    Roy, E. A., 16 May 2018, The Routledge Companion to Popular Music History and Heritage. Zelmarie, C., Baker, S., Lauren, I. & Strong, C. (eds.). Abingdon, Oxon: Routledge, p. 303-313 11 p. (Routledge Media and Cultural Studies Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

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  • 2016

    ‘You ought to see my phonograph’: The visual wonder of recorded sound (1877–1900)

    Roy, E. A., 20 May 2016, The Making of English Popular Culture. Storey, J. (ed.). Abingdon, Oxon: Routledge, p. 184-196 13 p. (Directions in Cultural History).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    2 Citations (Scopus)
  • 2014

    Perfect Pop Story: Sarah Records (1987-1995)

    Roy, E. A., 5 Dec 2014, LitPop: Writing and Popular Music. Hansen, A. & Carroll, R. (eds.). 1st ed. Abingdon, Oxon: Ashgate, p. 63-76 14 p. (Ashgate Popular and Folk Music Series).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

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