Stephen Gibson

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Stephen Gibson

Dr

 https://orcid.org/0000-0003-1768-7294

Accepting PhD Students

Willing to speak to media

  • 17
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  • 2022

    Afterword

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Arisona, S., Leishman, D., Tanaka, A. & Gibson, S. (eds.). 1st ed. London: Taylor & Francis, p. 450-452 3 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Immersive Environments and Live Visuals

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 308-334 27 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Interview 1: Tony Hill, Expanded Cinema Pioneer

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 377-391 15 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Interview 2: Christopher Thomas Allen, Founder and Director, the Light Surgeons

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 392-406 15 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Interview 3: Greg Hermanovic, CEO, Derivative

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 407-421 15 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Interview 4: Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and Others

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 422-436 15 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Interview 5: Peter Mettler, Digital and Live Cinema Artist

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 437-449 13 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985)

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 62-88 27 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

    Open Access
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    1 Citation (Scopus)
    189 Downloads (Pure)

  • Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900-1955)

    Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 41-61 21 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

    2 Citations (Scopus)

  • Scratch Video and Rave: The Rise of the Live Visuals Performer (1985-2000)

    McCarthy, L. & Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 89-108 20 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

    1 Citation (Scopus)

  • The Post-Conceptual Digital Era (2000–Present)

    Goodfellow, P. & Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Steve, G., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 109-132 24 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • VJing, Live Audio-Visuals and Live Cinema

    Gibson, S. & Arisona, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 289-307 19 p. (Routledge Advances in Theatre & Performance Studies).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

    1 Citation (Scopus)
  • 2020

    Towards the Emergent Theatre: A Novel Approach for Creating Live Emergent Narratives Using Finite State Machines

    Green, C. P., Holmquist, L. & Gibson, S., 3 Nov 2020, Interactive Storytelling: 13th International Conference on Interactive Digital Storytelling, ICIDS 2020, Bournemouth, UK, November 3–6, 2020, Proceedings. Bosser, A.-G., Millard, D. E. & Hargood, C. (eds.). Cham: Springer, Vol. 12497. p. 92-101 10 p. (Lecture Notes in Computer Science).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

    1 Citation (Scopus)
  • 2016

    Eno, Brian (1948--)

    Gibson, S., 9 May 2016, Routledge Encyclopedia of Modernism. London: Taylor & Francis

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

    Open Access
  • 2009

    Exploding, Plastic and Inevitable Redux

    Gibson, S. & Müller Arisona, S., 2009, Computational Aesthetics 2009. Deussen, O., Hall, P., Gibson, S., Hushlak, G. & Shaw, G. (eds.). Geneva: Eurographics Association, p. 152

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • 2008

    Introduction: Why Transdisciplinary Digital Art?

    Gibson, S., 2008, Transdisciplinary Digital Art. Sound, Vision and the New Screen. Adams, R., Gibson, S. & Müller-Arisona, S. (eds.). London: Springer, Vol. 7. p. 1-2 (Communications in Computer and Information Science).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

    Open Access
    1 Citation (Scopus)
  • 2004

    Alternative Approaches to Interface Technology

    Gibson, S., 2004, Perspectives on Multimedia: Communication, Media and Information Technology. Burnett, R., Nilsson, A. G. & Brunstrom, A. (eds.). Blackwell Publishing, p. 17-39 22 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • 1996

    Objects of Ritual

    Gibson, S. & Bauer, W., 1996, Immersed in Technology: Art and Virtual Environments. Cambridge, MA, USA: The MIT Press, p. 271-274 4 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • SPASM: The Sound of Virtual Reality II

    Translated title of the contribution: SPASM: il suono della realta virtuale IIArthur, K. & Gibson, S., 1996, SPASM: Virtual Reality, Android Music, Eletric Flesh: SPASM: realta virtuale, musica androide, carne elettrica. Milan: Apogeo, p. 87-127 40 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • 1993

    SPASM: The Sound of Virtual Reality II

    Gibson, S. & Arthur, K., 1993, SPASM: Virtual Reality, Android Music, Electric Flesh. Montreal: New World Perspectives, p. 70-109 39 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter