Search results

• 2022

  Afterword

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Arisona, S., Leishman, D., Tanaka, A. & Gibson, S. (eds.). 1st ed. London: Taylor & Francis, p. 450-452 3 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Immersive Environments and Live Visuals

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 308-334 27 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Immersive Environment 100%
  • Virtual Reality 66%
  • Immersion 66%
  • Simulation Mode 33%
  • Contexts 33%

• Interview 1: Tony Hill, Expanded Cinema Pioneer

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 377-391 15 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Gene 100%
  • Element 100%
  • Movement (Physiology) 100%

• Interview 2: Christopher Thomas Allen, Founder and Director, the Light Surgeons

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 392-406 15 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Light 100%
  • Interviews 100%
  • Director 100%
  • Cinema 100%
  • Musical Performances 100%

• Interview 3: Greg Hermanovic, CEO, Derivative

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 407-421 15 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Space Shuttle 100%
  • Hardware Designer 100%

• Interview 4: Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and Others

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 422-436 15 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Number 100%
  • Computer Personnel 100%
  • Procedure 50%

• Interview 5: Peter Mettler, Digital and Live Cinema Artist

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 437-449 13 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985)

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 62-88 27 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Videorecording 100%
  • Movement (Physiology) 66%
  • Light 33%
  • Synthesis 33%
  • Liquid 33%

• Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900-1955)

  Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 41-61 21 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Synesthesia 100%

• Scratch Video and Rave: The Rise of the Live Visuals Performer (1985-2000)

  McCarthy, L. & Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 89-108 20 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Performance 100%
  • National Cultures 66%
  • Technology 66%
  • Houses 66%
  • Visual Artist 66%

• The Post-Conceptual Digital Era (2000–Present)

  Goodfellow, P. & Gibson, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Steve, G., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 109-132 24 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Postmodernism 100%
  • Reality 50%
  • Work 50%
  • National Cultures 50%
  • Buildings 50%

• VJing, Live Audio-Visuals and Live Cinema

  Gibson, S. & Arisona, S., 29 Jul 2022, Live Visuals: History, Theory, Practice. Gibson, S., Arisona, S., Leishman, D. & Tanaka, A. (eds.). London: Taylor & Francis, p. 289-307 19 p. (Routledge Advances in Theatre & Performance Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Case Study 100%
  • Control 100%
  • Visual Material 100%
  • Computer Technology 100%
• 2020

  Towards the Emergent Theatre: A Novel Approach for Creating Live Emergent Narratives Using Finite State Machines

  Green, C. P., Holmquist, L. & Gibson, S., 3 Nov 2020, Interactive Storytelling: 13th International Conference on Interactive Digital Storytelling, ICIDS 2020, Bournemouth, UK, November 3–6, 2020, Proceedings. Bosser, A-G., Millard, D. E. & Hargood, C. (eds.). Cham: Springer, Vol. 12497. p. 92-101 10 p. (Lecture Notes in Computer Science).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Engine Software 100%
  1 Citation (Scopus)
• 2016

  Eno, Brian (1948--)

  Gibson, S., 9 May 2016, Routledge Encyclopedia of Modernism. London: Taylor & Francis

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

  • Music 100%
  • Albums 33%
  • Experimentalism 33%
  • Musicians 33%
  • Avant-Garde 33%
• 2009

  Exploding, Plastic and Inevitable Redux

  Gibson, S. & Müller Arisona, S., 2009, Computational Aesthetics 2009. Deussen, O., Hall, P., Gibson, S., Hushlak, G. & Shaw, G. (eds.). Geneva: Eurographics Association, p. 152

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Visualization 100%
  • Graphics 100%
• 2008

  Introduction: Why Transdisciplinary Digital Art?

  Gibson, S., 2008, Transdisciplinary Digital Art. Sound, Vision and the New Screen. Adams, R., Gibson, S. & Müller-Arisona, S. (eds.). London: Springer, Vol. 7. p. 1-2 (Communications in Computer and Information Science).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access
  1 Citation (Scopus)
• 2004

  Alternative Approaches to Interface Technology

  Gibson, S., 2004, Perspectives on Multimedia: Communication, Media and Information Technology. Burnett, R., Nilsson, A. G. & Brunstrom, A. (eds.). Wiley, p. 17-39 22 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 1996

  Objects of Ritual

  Gibson, S. & Bauer, W., 1996, Immersed in Technology: Art and Virtual Environments. Cambridge, MA, USA: The MIT Press, p. 271-274 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• SPASM: The Sound of Virtual Reality II

  Translated title of the contribution: SPASM: il suono della realta virtuale IIArthur, K. & Gibson, S., 1996, SPASM: Virtual Reality, Android Music, Eletric Flesh: SPASM: realta virtuale, musica androide, carne elettrica. Milan: Apogeo, p. 87-127 40 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 1993

  SPASM: The Sound of Virtual Reality II

  Gibson, S. & Arthur, K., 1993, SPASM: Virtual Reality, Android Music, Electric Flesh. Montreal: New World Perspectives, p. 70-109 39 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter