Afterword

Steve Gibson

doi:10.4324/9781003282396-26

Afterword

Steve Gibson^*

^*Corresponding author for this work

Northumbria University

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

This afterword to Live Visuals: History, Theory, Practice briefly considers the possibilities for Live Visuals and audio-visual performance after the coronavirus pandemic and makes the case that the already “long history of images becoming alive” illustrates the staying power of the performed image. Without predicting the future, this afterword provides some passing examples of possible futures for Live Visuals and the performed image.

Original language	English
Title of host publication	Live Visuals
Subtitle of host publication	History, Theory, Practice
Editors	Stefan Arisona, Donna Leishman, Atau Tanaka, Steve Gibson
Place of Publication	London
Publisher	Taylor & Francis
Pages	450-452
Number of pages	3
Edition	1st
ISBN (Electronic)	9781000612943, 9781003282396
ISBN (Print)	9781032252612
DOIs	https://doi.org/10.4324/9781003282396-26
Publication status	Published - 29 Jul 2022

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 3 Good Health and Well-being

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10.4324/9781003282396-26

Cite this

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title = "Afterword",

abstract = "This afterword to Live Visuals: History, Theory, Practice briefly considers the possibilities for Live Visuals and audio-visual performance after the coronavirus pandemic and makes the case that the already “long history of images becoming alive” illustrates the staying power of the performed image. Without predicting the future, this afterword provides some passing examples of possible futures for Live Visuals and the performed image.",

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AB - This afterword to Live Visuals: History, Theory, Practice briefly considers the possibilities for Live Visuals and audio-visual performance after the coronavirus pandemic and makes the case that the already “long history of images becoming alive” illustrates the staying power of the performed image. Without predicting the future, this afterword provides some passing examples of possible futures for Live Visuals and the performed image.

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Afterword

Abstract

UN SDGs

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Live Visuals: History, Theory, Practice

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