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Alfred Flechtheim and the Flechtheim Galleries, 1913–1933

Malcolm Gee*

*Corresponding author for this work

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

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    Abstract

    This chapter analyzes the role of Flechtheim as a dealer in modern German and French art in Germany. It focuses on his success in the promotion of artists from the Rhineland and, after 1918, elsewhere in Germany, including George Grosz, in conjunction with artists from Paris including Picasso. It highlights the important role played in his career by his fellow German dealers Paul Cassirer and Daniel-Henry Kahnweiler and by the network of German artists and writers he met in Paris before the war, including Wilhelm Uhde, Rudolf Levy and Hermann von Wedderkop. It emphasizes his appreciation of the importance of the print media in art promotion, which led to his creation of the ground-breaking periodical Der Querschnitt. It recounts his efforts to continue his career in Paris and London after emigrating. The concluding section addresses the role that his identity as a German Jew played in his life and career.
    Original languageEnglish
    Title of host publicationJewish Dealers and the European Art Market, c. 1860–1940
    Subtitle of host publicationNegotiating Cultural Modernity
    EditorsDavoli Silvia, Tom Stammers
    Place of PublicationLondon
    PublisherBloomsbury
    Chapter10
    Pages199–214
    Number of pages16
    Edition1st
    ISBN (Electronic)9781350473706, 9781350473713, 9781350473720
    ISBN (Print)9781350473683
    DOIs
    Publication statusPublished - 29 Jan 2025

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