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‘Band-Aid for a guilty conscience’?: Face Coverings, Fashionability and Responsibility during the Covid-19 Pandemic

Elizabeth Kramer*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract

This article evaluates the important role that fashionability played during the COVID-19 pandemic in incentivizing the public to wear face coverings when mandated to do so. The digital screen is used as a framing device to examine what was communicated to fashion consumers and how this communication occurred during lockdown. Lockdowns accelerated the primacy of screens in fashion communication. While fashion communication encompasses a variety of practices, this article focuses on the marketing and online advertising approaches used by fashion brands to position face coverings as desirable accessories during the pandemic. Screens did not merely provide representations of face coverings, but through imagery, descriptions and links, they served as conduits to imagine the ways in which wearers might experience and style this new accessory. Fashion brands further emphasized how mask production or consumption contributed to responsible (corporate) citizenship, charitable initiatives, or related to sustainability. During the pandemic, these strategies responded to the criticism that the fashion industry was taking advantage of the demand for this new accessory for profit. However, in considering the mask’s materialization from screen to embodied experience, I also apply the other use definition of screen: to obscure or hide. This article argues that the emphasis of certain sustainable features of cloth masks drew attention away from the many other ways in which masks did not conform to circular design and that local and corporate initiatives obscured rather than addressed the worsened plight of garment workers. The ease with which digital fashion communication can be updated allowed fashion brands to remove references to initiatives once wearing masks became normalized and the market was saturated. I argue that the evidence reveals an industry practicing business as usual, positioning itself in the best possible light through digital communication and marketing, rather than affecting systematic change: a lost opportunity for all.
Original languageEnglish
Pages (from-to)159-180
Number of pages22
JournalFashion, Style and Popular Culture
Volume13
Issue number1-2
Early online date9 Jun 2025
DOIs
Publication statusPublished - 1 Mar 2026

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 9 - Industry, Innovation, and Infrastructure
    SDG 9 Industry, Innovation, and Infrastructure
  2. SDG 12 - Responsible Consumption and Production
    SDG 12 Responsible Consumption and Production

Keywords

  • COVID-19 pandemic
  • cloth masks
  • face coverings
  • fashionability
  • Corporate Social Responsibility (CSR)
  • sustainability
  • digital screens
  • CSR
  • face masks
  • corporate social responsibility
  • fashion

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