Collaborative Dialogue: Connecting, conducting...

Judy Thomas

    Research output: Contribution to conferencePaper

    Abstract

    This presentation explores the influence and importance of collaborative
    practice, investigating the impact of shared learning, with an aim to identify
    attitudes that might inform knowledge construction with others. Alongside this
    is concern on how we foster independent learning with under graduate
    students embarking on BA programmes who lack maturity, confidence and
    are unprepared to take initiative.

    Drawing upon empirical data, the research explores innovative, interdisciplinary
    learning and student engagement through partnership, practical
    activity, discourse and play. Using the ‘RE:CREATION’ case study this
    describes how collaborative dialogue encourages and supports reflective
    learning.

    NAFAE presentation and discussion submission. Judy Thomas 1
    Located in Featherstone Castle, the RE:CREATION weekend encouraged
    different ways to engage with place, culture and heritage, offering practice-led
    approaches to enhance research skills, raise aspiration and encourage risk
    taking within a community of practice. Bringing students and staff together
    from partnering institutions, along with alumina, invited professionals, in a
    space of productive leisure, the distinctive castle setting offered a multilayered
    environment for thinking and reflexivity. Space to ‘recreate’ ideas and
    materials through creative exploration and exchange. This gives positive
    examples of connections and collaborations encouraging and inspiring the
    freedoms of creativity and ownership of learning.
    In contrast, it reflects upon studio activities with year 1 BA students who
    increasingly start their academic journeys with limited life experience, afraid of
    collaboration and lacking insight of what the potential connections and
    collaborations can offer. This questions how we prepare students for the role
    of ‘superconnector’ or ‘superconductor’, especially those who arrive fresh from
    A Level study. As tutors, it is easy for us to identify how shared, creative
    approaches offer a distinctive methodology towards learning, generating
    supportive environments and conditions that enable participants to reflect,
    explore and ultimately learn. We may structure activities that involve
    collaboration but there seems to be a worrying resistance towards them that
    stems from a result driven culture and an increasingly insular, self-conscious
    mentality of individuals.
    Following a brief presentation, I wish to stimulate and facilitate debate with
    peers that examines transformative learning and individual participants
    perspectives, recognising shared processes in which facilitator and
    participants benefit. I would like to stimulate discussion exploring:
     How do we scaffold reflective practice with learners who look to
    us to give them the answers?
     How do we enable students to become active agents who value
    collaborative dialogue?
    Original languageEnglish
    Publication statusE-pub ahead of print - 24 Mar 2017
    EventNational Association for Fine Art Education Annual Conference 2017: Artist as Superconnector Superconductor - Coventry University, Coventry, United Kingdom
    Duration: 24 Mar 201724 Mar 2017
    http://nafae.org.uk/events/artist-superconnector-superconductor

    Conference

    ConferenceNational Association for Fine Art Education Annual Conference 2017
    Country/TerritoryUnited Kingdom
    CityCoventry
    Period24/03/1724/03/17
    Internet address

    Keywords

    • interdisciplinary learning
    • student engagement
    • Arts Education
    • Higher Education

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