Crafting Critical Heritage Discourses into Interactive Exhibition Design

Caroline Claisse; Daniela Petrelli; Luigina Ciolfi; Nick Dulake; Mark T. Marshall; Abigail C. Durrant

doi:10.1145/3313831.3376689

Crafting Critical Heritage Discourses into Interactive Exhibition Design

Caroline Claisse, Daniela Petrelli, Luigina Ciolfi, Nick Dulake, Mark T. Marshall, Abigail C. Durrant

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

13 Citations (Scopus)

180 Downloads (Pure)

Abstract

This paper argues how a more reflective design practice that embraces critical discourses can transform interactive exhibition design and therefore the museum visiting experience. Four framing arguments underpin our exhibition design making: the value of materiality, visiting as an aesthetic experience, challenging the authorized voice, and heritage as a process. These arguments were embodied through design, art and craft practice into one interactive exhibition at a house museum. We draw from our design process discussing the implications that adopting an approach informed by critical heritage debates has on exhibition design and suggest three sensitizing concepts (polyvocal narratives, dialogical interaction, interweaving time and space) bridging the practice of interactive exhibition design and critical heritage theory.

Original language	English
Title of host publication	Proceedings of the ACM CHI Conference on Human Factors in Computing Systems, 2020 CHI '20
Subtitle of host publication	April 25–30, 2020, Honolulu, HI, USA
Publisher	ACM
ISBN (Print)	9781450367080
DOIs	https://doi.org/10.1145/3313831.3376689
Publication status	Published - 30 Apr 2020
Event	2020 ACM CHI Conference on Human Factors in Computing Systems, CHI EA 2020 - Hawaiʻi Convention Center, Honolulu, United States Duration: 25 Apr 2020 → 30 Apr 2020 https://chi2020.acm.org/

Conference

Conference	2020 ACM CHI Conference on Human Factors in Computing Systems, CHI EA 2020
Abbreviated title	CHI 2020
Country/Territory	United States
City	Honolulu
Period	25/04/20 → 30/04/20
Internet address	https://chi2020.acm.org/

Keywords

Critical Heritage
Tangible Interaction
Craft Practice
Exhibition Design
Reflective Practice

Access to Document

10.1145/3313831.3376689

CHI-Accepted Peer Reviewed ManuscriptAccepted author manuscript, 4.98 MB

Cite this

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title = "Crafting Critical Heritage Discourses into Interactive Exhibition Design",

abstract = "This paper argues how a more reflective design practice that embraces critical discourses can transform interactive exhibition design and therefore the museum visiting experience. Four framing arguments underpin our exhibition design making: the value of materiality, visiting as an aesthetic experience, challenging the authorized voice, and heritage as a process. These arguments were embodied through design, art and craft practice into one interactive exhibition at a house museum. We draw from our design process discussing the implications that adopting an approach informed by critical heritage debates has on exhibition design and suggest three sensitizing concepts (polyvocal narratives, dialogical interaction, interweaving time and space) bridging the practice of interactive exhibition design and critical heritage theory.",

keywords = "Critical Heritage, Tangible Interaction, Craft Practice, Exhibition Design, Reflective Practice",

author = "Caroline Claisse and Daniela Petrelli and Luigina Ciolfi and Nick Dulake and Marshall, {Mark T.} and Durrant, {Abigail C.}",

year = "2020",

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day = "30",

doi = "10.1145/3313831.3376689",

language = "English",

isbn = "9781450367080",

booktitle = "Proceedings of the ACM CHI Conference on Human Factors in Computing Systems, 2020 CHI '20",

publisher = "ACM",

address = "United States",

note = "2020 ACM CHI Conference on Human Factors in Computing Systems, CHI EA 2020, CHI 2020 ; Conference date: 25-04-2020 Through 30-04-2020",

url = "https://chi2020.acm.org/",

}

Claisse, C, Petrelli, D, Ciolfi, L, Dulake, N, Marshall, MT & Durrant, AC 2020, Crafting Critical Heritage Discourses into Interactive Exhibition Design. in Proceedings of the ACM CHI Conference on Human Factors in Computing Systems, 2020 CHI '20: April 25–30, 2020, Honolulu, HI, USA. ACM, 2020 ACM CHI Conference on Human Factors in Computing Systems, CHI EA 2020, Honolulu, United States, 25/04/20. https://doi.org/10.1145/3313831.3376689

Crafting Critical Heritage Discourses into Interactive Exhibition Design. / Claisse, Caroline; Petrelli, Daniela; Ciolfi, Luigina et al.
Proceedings of the ACM CHI Conference on Human Factors in Computing Systems, 2020 CHI '20: April 25–30, 2020, Honolulu, HI, USA. ACM, 2020.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

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T1 - Crafting Critical Heritage Discourses into Interactive Exhibition Design

AU - Claisse, Caroline

AU - Petrelli, Daniela

AU - Ciolfi, Luigina

AU - Dulake, Nick

AU - Marshall, Mark T.

AU - Durrant, Abigail C.

PY - 2020/4/30

Y1 - 2020/4/30

N2 - This paper argues how a more reflective design practice that embraces critical discourses can transform interactive exhibition design and therefore the museum visiting experience. Four framing arguments underpin our exhibition design making: the value of materiality, visiting as an aesthetic experience, challenging the authorized voice, and heritage as a process. These arguments were embodied through design, art and craft practice into one interactive exhibition at a house museum. We draw from our design process discussing the implications that adopting an approach informed by critical heritage debates has on exhibition design and suggest three sensitizing concepts (polyvocal narratives, dialogical interaction, interweaving time and space) bridging the practice of interactive exhibition design and critical heritage theory.

AB - This paper argues how a more reflective design practice that embraces critical discourses can transform interactive exhibition design and therefore the museum visiting experience. Four framing arguments underpin our exhibition design making: the value of materiality, visiting as an aesthetic experience, challenging the authorized voice, and heritage as a process. These arguments were embodied through design, art and craft practice into one interactive exhibition at a house museum. We draw from our design process discussing the implications that adopting an approach informed by critical heritage debates has on exhibition design and suggest three sensitizing concepts (polyvocal narratives, dialogical interaction, interweaving time and space) bridging the practice of interactive exhibition design and critical heritage theory.

KW - Critical Heritage

KW - Tangible Interaction

KW - Craft Practice

KW - Exhibition Design

KW - Reflective Practice

U2 - 10.1145/3313831.3376689

DO - 10.1145/3313831.3376689

M3 - Conference contribution

SN - 9781450367080

BT - Proceedings of the ACM CHI Conference on Human Factors in Computing Systems, 2020 CHI '20

PB - ACM

T2 - 2020 ACM CHI Conference on Human Factors in Computing Systems, CHI EA 2020

Y2 - 25 April 2020 through 30 April 2020

ER -

Crafting Critical Heritage Discourses into Interactive Exhibition Design

Abstract

Conference

Keywords

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Cite this