Abstract
This article explores the role of the “culinary feminine” in arts practice and popular culture. Tracing a genealogy of significant British female food personalities and female performance artists working with food, I locate my artistic practice inside the “gap(s)” in between these dual culinary and artistic legacies. British television cook Nigella Lawson and her media image as a domestic goddess is used to examine how representations of food and women are produced and performed in popular culture. I argue that Nigella constructs ‘paradoxical femininities’ and exists outside the parameters of traditional women-food boundaries. This article documents my trilogy of performance works that re-appropriated strategies used by Nigella, combining contemporary arts-practice with a popular cultural food aesthetic, through which I trace the gaps that arise in my own food-practices as a woman/artist/consumer.
Original language | English |
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Pages (from-to) | 337-366 |
Journal | Women & Performance: a journal of feminist theory |
Volume | 21 |
Issue number | 3 |
DOIs | |
Publication status | Published - 2011 |
Keywords
- arts practice
- popular culture
- femininity
- domesticity
- domestic goddess
- celebrity chefs
- food media