TY - JOUR
T1 - Gendering Objects at the V&A and Vasa Museums
AU - Daybell, James
AU - Heyam, Kit
AU - Norrhem, Svante
AU - Severinsson, Emma
N1 - Funding Information:
Research for this project was funded by the UK’s Arts and Humanities Research Council for two projects: Gender, Power and Materiality in Early Modern Europe, during which the project team developed a new gendered interpretative methodology, and Gendered Interpretations of the V&A and Vasa Museums, which applied the methodology and findings in two beacon international museums. The broader project team includes Susan Broomhall and Jacqueline Van Gent at the University of Western Australia, Nadine Akkerman at Leiden University, Joanna Norman, Alice Power, Zorian Clayton, Rosalind McKever, Claire Wilcox and colleagues at the V&A, Fred Hocker, Anna Maria Forssberg, Anna Silwerulv, Siri Beer Boman, Maria Dalhed Persson, Sofia Törnqvist and colleagues at the Vasa Museum, and Pia Laskar, Statens Historiska Museer Stockholm. We are also grateful to the journal’s anonymous reviewers for their very helpful comments.
Publisher Copyright:
© 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
Copyright:
Copyright 2020 Elsevier B.V., All rights reserved.
PY - 2020/8/20
Y1 - 2020/8/20
N2 - This article presents two case studies, which are the result of the application of a gendered interpretative tool to the collections at the Victoria & Albert Museum (London) and the Vasa Museum (Stockholm). Objects and their gendered narratives within the museums’ collections were researched across their lifecycle, from commission and manufacture to consumption and display in a museum setting. This research was developed in close co-operation between researchers, curators, and museum professionals, seeking to develop best practice guidance on making diverse gendered history more visible in the museum space. The team of researchers, curators and museum professionals identified and researched a selection of early modern objects and their gendered narratives within the museums' collections. We argue that this gendered analytical focus not only reveals the relevance of gender to the production, consumption and use of any given object in the early modern period, but also how society was organised in a global context. Using two hats at the Vasa and V&A Museums to demonstrate this methodology, we argue for greater awareness of gender as an important analytical category within the museum environment. The application of gendered historiographical analysis has the demonstrable potential to facilitate new gendered perspectives on museum objects, leading to a more deep and diverse representation of gender in curation and interpretation, and further, that this transformation of curatorial and interpretative practice can lead to increased engagement from audiences marginalised by their gender and/or sexuality.
AB - This article presents two case studies, which are the result of the application of a gendered interpretative tool to the collections at the Victoria & Albert Museum (London) and the Vasa Museum (Stockholm). Objects and their gendered narratives within the museums’ collections were researched across their lifecycle, from commission and manufacture to consumption and display in a museum setting. This research was developed in close co-operation between researchers, curators, and museum professionals, seeking to develop best practice guidance on making diverse gendered history more visible in the museum space. The team of researchers, curators and museum professionals identified and researched a selection of early modern objects and their gendered narratives within the museums' collections. We argue that this gendered analytical focus not only reveals the relevance of gender to the production, consumption and use of any given object in the early modern period, but also how society was organised in a global context. Using two hats at the Vasa and V&A Museums to demonstrate this methodology, we argue for greater awareness of gender as an important analytical category within the museum environment. The application of gendered historiographical analysis has the demonstrable potential to facilitate new gendered perspectives on museum objects, leading to a more deep and diverse representation of gender in curation and interpretation, and further, that this transformation of curatorial and interpretative practice can lead to increased engagement from audiences marginalised by their gender and/or sexuality.
KW - Gender
KW - Interpretation
KW - Museum
KW - Objects
KW - Vasa Museum, Stockholm
KW - Victoria and Albert Museum, London
KW - Vasa Museum
KW - London
KW - Victoria and Albert Museum
KW - Stockholm
UR - http://www.scopus.com/inward/record.url?scp=85089701281&partnerID=8YFLogxK
U2 - 10.1080/13500775.2020.1779465
DO - 10.1080/13500775.2020.1779465
M3 - Article
SN - 1350-0775
VL - 72
SP - 106
EP - 117
JO - Museum International
JF - Museum International
IS - 1-2
ER -