@inbook{6ab9088cdd4d40d3b09e055dc252dc18,
title = "In their shoes: participation, social change and empathy in Open Clasp's Key Change",
abstract = "Kay Hepplewhite As the audience settles for a performance of Key Change, we are presented with a stage, bare except for a woman in a grey tracksuit, sitting at the side, playing pop tunes on a CD player and reading a magazine. Gradually four other women, also in the uniform tracksuits, join her. They hang out and chat. There is a physical closeness between them: they are at leisure but not at home. Lining up with their backs to the audience, they ask each other {\textquoteleft}Ready? {\textquoteright} and the play springs into action. The actors speak in strong north-east of England regional accents, addressing the audience directly with physicalized narrative. We are invited over the walls and, for the next sixty minutes, our {\textquoteleft}inside{\textquoteright} guides introduce us to the hilarity, tender sensitivity and stark reality of their life in prison. The actors use rolls of masking tape to mark out...",
author = "Kay Hepplewhite",
year = "2020",
month = feb,
day = "6",
doi = "10.5040/9781474262583.ch-012",
language = "English",
isbn = "9781474262552",
series = "Applied Theatre",
publisher = "Bloomsbury",
pages = "229--244",
editor = "Caoimhe McAvinchey",
booktitle = "Applied theatre",
address = "United Kingdom",
}