Jean Mohr: Photography on the World's Edge

Martyn Hudson

doi:10.1177/0306396813509187

Jean Mohr: Photography on the World's Edge

Martyn Hudson

Research output: Contribution to journal › Article

3 Citations (Scopus)

Abstract

The work of Jean Mohr, the photographer who has often collaborated with John Berger on projects covering migrancy, refuge, displacement, subaltern classes (and their passing) and on Palestine (with Edward Said), is celebrated here. The author argues that the nature and role of photography is rethought by Mohr, as his photographic work, which is integral to the text, transcends time and place to suggest a universality.

Original language	English
Pages (from-to)	79-85
Number of pages	7
Journal	Race and Class
Volume	55
Issue number	3
DOIs	https://doi.org/10.1177/0306396813509187
Publication status	Published - 1 Jan 2014
Externally published	Yes

Keywords

Photography
Design
aesthetics

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10.1177/0306396813509187

Cite this

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abstract = "The work of Jean Mohr, the photographer who has often collaborated with John Berger on projects covering migrancy, refuge, displacement, subaltern classes (and their passing) and on Palestine (with Edward Said), is celebrated here. The author argues that the nature and role of photography is rethought by Mohr, as his photographic work, which is integral to the text, transcends time and place to suggest a universality.",

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AB - The work of Jean Mohr, the photographer who has often collaborated with John Berger on projects covering migrancy, refuge, displacement, subaltern classes (and their passing) and on Palestine (with Edward Said), is celebrated here. The author argues that the nature and role of photography is rethought by Mohr, as his photographic work, which is integral to the text, transcends time and place to suggest a universality.

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KW - Design

KW - aesthetics

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Jean Mohr: Photography on the World's Edge

Abstract

Keywords

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