Listener-centred Sonification Practice as Transdisciplinary Experimental Artistic Engagement

Jorge Boehringer, Marcin Pietruszewski, John Bowers, Bennett Hogg, Joseph Newbold, Gerriet Sharma, Tim Shaw, Paul Vickers*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

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Abstract

Project RADICAL presents sonification research and practice as a listener-centred, transdisciplinary activity. In this chapter, authors discuss sonification from perspectives of artistic and musical practice. Particular emphasis is placed on spatial listening, embodied experience, environmental interaction, and communication, resulting in an interroga- tion of methodology, objects and foundations often assumed for sonifica- tion. The reader is invited to apply an ethnographic ear to a roundtable presentation investigating new sonic and musical practices that converge upon a reframing of sonification as engaged aesthetic activity productive of and carrying new technical and epistemic knowledge.
Original languageEnglish
Title of host publicationNew Paradigms for Music Research
Subtitle of host publicationArt, Society and Technology
EditorsAdolf Murillo, Inés Monreal, Jesús Tejada, David Carabias
Place of PublicationValencia, Spain
PublisherPublicacions Universitat de València
Chapter8
Pages165-194
Number of pages28
Edition1st
ISBN (Electronic)9788491335320
DOIs
Publication statusPublished - 14 Nov 2022

Publication series

NameARTSLAB Contemporary Art Education

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