Living Stone Living Fossils: A durational improvised performance in relationship with the Frosterley Marble

Liz Pavey; Greta Heath; Esther Huss; Beth Loughran; Claire Pencak; Karen Rann; Mandy Rogerson; Chenyu Xion; Alfons Bytautas; David de la Haye

Living Stone Living Fossils: A durational improvised performance in relationship with the Frosterley Marble

Liz Pavey, Greta Heath (Performer), Esther Huss (Performer), Beth Loughran (Performer), Claire Pencak (Performer), Karen Rann (Performer), Mandy Rogerson (Performer), Chenyu Xion (Performer), Alfons Bytautas (Designer), David de la Haye (Composer)

Research output: Non-textual form › Performance

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Abstract

Performance for Wonder and the Wild event at the Great North Museum Hancock as part of practice research project Living Stone. The project investigates durational site dance improvisation as a way to explore our relationship to deep time and our intra-being with the more-than human. Put simply, the practice it is about dancing with rocks and reflecting on our own constantly changing mineral composition. The work is informed by deep ecology and geology with scholarly underpinning from phenomenology, new materialism and posthumanism.

Original language	English
Publication status	Published - 30 Jun 2023

Keywords

durational
performance
dance improvisation

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

GNM_Great_North_Nights_30.06.2023__by_Colin_Davison117 copyFinal published version, 11.5 MB
Living Stone Living FossilsFinal published version, 434 KB

https://greatnorthmuseum.org.uk/whats-on/great-north-nights

Cite this

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abstract = "Performance for Wonder and the Wild event at the Great North Museum Hancock as part of practice research project Living Stone. The project investigates durational site dance improvisation as a way to explore our relationship to deep time and our intra-being with the more-than human. Put simply, the practice it is about dancing with rocks and reflecting on our own constantly changing mineral composition. The work is informed by deep ecology and geology with scholarly underpinning from phenomenology, new materialism and posthumanism. ",

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AB - Performance for Wonder and the Wild event at the Great North Museum Hancock as part of practice research project Living Stone. The project investigates durational site dance improvisation as a way to explore our relationship to deep time and our intra-being with the more-than human. Put simply, the practice it is about dancing with rocks and reflecting on our own constantly changing mineral composition. The work is informed by deep ecology and geology with scholarly underpinning from phenomenology, new materialism and posthumanism.

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