'Lyric Voice and Ballad Voice'

Pete Newbon

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    This chapter outlines the ambiguities inherent in the title Wordsworth chose for his and Coleridge's co-authored anthology: 'Lyrical Ballads' (1798). The simplicity of the title belies the contradictory nature of these two concepts: the first a tradition of meditative poetic voice, originating in Classical verse; the second a medieval poetic form used to narrate plebeian, folkloric and supernatural events. The chapter describes the evolution of both of these traditions across the eighteenth century, and concludes by speculating what Wordsworth might have meant by a fusion of the lyrical voice with a balladic form in some of his verses of this collection.
    Original languageEnglish
    Title of host publicationThe Cambridge Companion to 'Lyrical Ballads'
    EditorsSally Bushell
    Place of PublicationCambridge
    Chapter4
    Pages66-84
    Number of pages18
    ISBN (Electronic)9781108236300
    Publication statusPublished - 1 Feb 2020

    Keywords

    • Lyric, ballad, Wordsworth, Coleridge, Romanticism, poetics, Eighteenth Century.

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