TY - JOUR
T1 - 'Millions of Eyes Were Turned Skywards'
T2 - The Air League of the British Empire, Empire Air Day, and the Promotion of Air-mindedness, 1934-9
AU - Thompson, Rowan G.E.
PY - 2021/6/1
Y1 - 2021/6/1
N2 - This article investigates the Air League of the British Empire and its attempts to promote air-mindedness within British society in the late 1930s. It draws attention to the Air League's construction of a distinctly militarized aerial theatre-in the form of Empire Air Day (EAD)-A nd highlights the extent to which the event was embedded in popular civic ritual. Linking the themes of nation, empire, youth, and air-mindedness, the case of EAD provides important insights into the ways in which British society interacted with-A nd ascribed meaning to-technology, technological change, and modernity, in a period of high international tensions. The article shows that the Air Ministry valued the display as a vehicle for recruitment, propaganda, and as a way to project an image of military strength to domestic and foreign audiences. The display enabled the League to place before the British public a form of 'popular' militarism that was supported by large sections of British society, key military figures, members of the royal family, newspapers across the political spectrum, and by politicians of all stripes. EAD was a politically and culturally acceptable way of promoting rearmament and the military capabilities of the British state.
AB - This article investigates the Air League of the British Empire and its attempts to promote air-mindedness within British society in the late 1930s. It draws attention to the Air League's construction of a distinctly militarized aerial theatre-in the form of Empire Air Day (EAD)-A nd highlights the extent to which the event was embedded in popular civic ritual. Linking the themes of nation, empire, youth, and air-mindedness, the case of EAD provides important insights into the ways in which British society interacted with-A nd ascribed meaning to-technology, technological change, and modernity, in a period of high international tensions. The article shows that the Air Ministry valued the display as a vehicle for recruitment, propaganda, and as a way to project an image of military strength to domestic and foreign audiences. The display enabled the League to place before the British public a form of 'popular' militarism that was supported by large sections of British society, key military figures, members of the royal family, newspapers across the political spectrum, and by politicians of all stripes. EAD was a politically and culturally acceptable way of promoting rearmament and the military capabilities of the British state.
UR - http://www.scopus.com/inward/record.url?scp=85112025249&partnerID=8YFLogxK
U2 - 10.1093/tcbh/hwaa005
DO - 10.1093/tcbh/hwaa005
M3 - Review article
AN - SCOPUS:85112025249
SN - 0955-2359
VL - 32
SP - 285
EP - 307
JO - Twentieth Century British History
JF - Twentieth Century British History
IS - 2
ER -