Abstract
This recit describes the use of visual-material methods in animating, re-enacting and highlighting the significance of human-animal interactions to well-being and flourishing. In employing creative methods and sensory ethnography, the researcher’s body is emergent as a vector of knowledge and site of multiple unfolding identities and entanglements. It therefore reveals the embodied and intra-corporeal nature of experience that is often unknown, unthought and invisible. In doing so, new insights and ways of ‘knowing’ manifest in exciting and original means. Through sketching using a multi-layered technique akin to what is known as “pentimento” brings forth the concept that we are all constantly “becoming” something other and something more through our rhythms of relating.
| Original language | English |
|---|---|
| Pages | 31-42 |
| Number of pages | 11 |
| Volume | 3 |
| No. | 1 |
| Specialist publication | Entanglements Experiments in Multimodal Ethnography |
| Publication status | Published - 5 Jul 2020 |
Keywords
- sensory ethnography
- visual methods
- human-animal interactions
- researcher’s body
- going native
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