Music and materiality: Cardew and the musical politics of Marxism

Research output: Contribution to journalBook/Film/Article review

Abstract

This article looks at the question of Marxism and music – specifically the journey of Cornelius Cardew from the Darmstadt avant-garde to his late Maoist works and the degeneration of his experimentalism in favour of a music which would ‘serve the people’s struggle’.
Original languageEnglish
JournalEunomios
Publication statusPublished - 2015
Externally publishedYes

Fingerprint Dive into the research topics of 'Music and materiality: Cardew and the musical politics of Marxism'. Together they form a unique fingerprint.

Cite this