Abstract
This article looks at the question of Marxism and music – specifically the journey of Cornelius Cardew from the Darmstadt avant-garde to his late Maoist works and the degeneration of his experimentalism in favour of a music which would ‘serve the people’s struggle’.
| Original language | English |
|---|---|
| Journal | Eunomios |
| Publication status | Published - 2015 |
| Externally published | Yes |