National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak: the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934

Matthew Potter

National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak: the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934

Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

Abstract

An exploration of three moments in the exhibition history of German art in London: looking at examples from the nineteenth century (Lawrence Gallery (1853); German Gallery 1854; Piccadilly Galleries (1861); South Kensington (1862)); the fin de siecle (Grafton Galleries (1906); Prince's Galleries (1906)); and the dawn of modern art in the twentieth century (Twenty-One Gallery, (1914); Mayor Gallery (1904)).

Original language	Multiple languages
Title of host publication	London 1938 - Defending ‘degenerate’ art
Subtitle of host publication	Mit Kandinsky, Liebermann und Nolde gegen Hitler
Editors	Lucy Wasensteiner, Martin Faass
Place of Publication	Wädenswil
Publisher	NIMBUS
Pages	42-57
Number of pages	16
ISBN (Print)	3038500496, 9783038500490
Publication status	Published - 1 Jul 2018

Keywords

Degenerate Art
Modernism
Internationalism
German Art
National Socialism
Nazism

Access to Document

http://www.nimbusbooks.ch/buch/london-1938

Cite this

Potter, M. (2018). National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak: the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934. In L. Wasensteiner, & M. Faass (Eds.), London 1938 - Defending ‘degenerate’ art: Mit Kandinsky, Liebermann und Nolde gegen Hitler (pp. 42-57). NIMBUS. http://www.nimbusbooks.ch/buch/london-1938

Potter, Matthew. / National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak : the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934. London 1938 - Defending ‘degenerate’ art: Mit Kandinsky, Liebermann und Nolde gegen Hitler. editor / Lucy Wasensteiner ; Martin Faass. Wädenswil : NIMBUS, 2018. pp. 42-57

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title = "National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Ann{\"a}herung und mystisches Beefsteak: the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934",

abstract = "An exploration of three moments in the exhibition history of German art in London: looking at examples from the nineteenth century (Lawrence Gallery (1853); German Gallery 1854; Piccadilly Galleries (1861); South Kensington (1862)); the fin de siecle (Grafton Galleries (1906); Prince's Galleries (1906)); and the dawn of modern art in the twentieth century (Twenty-One Gallery, (1914); Mayor Gallery (1904)).",

keywords = "Degenerate Art, Modernism, Internationalism, German Art, National Socialism, Nazism",

author = "Matthew Potter",

year = "2018",

month = jul,

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pages = "42--57",

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Potter, M 2018, National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak: the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934. in L Wasensteiner & M Faass (eds), London 1938 - Defending ‘degenerate’ art: Mit Kandinsky, Liebermann und Nolde gegen Hitler. NIMBUS, Wädenswil, pp. 42-57. <http://www.nimbusbooks.ch/buch/london-1938>

National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak: the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934. / Potter, Matthew.
London 1938 - Defending ‘degenerate’ art: Mit Kandinsky, Liebermann und Nolde gegen Hitler. ed. / Lucy Wasensteiner; Martin Faass. Wädenswil: NIMBUS, 2018. p. 42-57.

Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

TY - CHAP

T1 - National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak

T2 - the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934

AU - Potter, Matthew

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Y1 - 2018/7/1

N2 - An exploration of three moments in the exhibition history of German art in London: looking at examples from the nineteenth century (Lawrence Gallery (1853); German Gallery 1854; Piccadilly Galleries (1861); South Kensington (1862)); the fin de siecle (Grafton Galleries (1906); Prince's Galleries (1906)); and the dawn of modern art in the twentieth century (Twenty-One Gallery, (1914); Mayor Gallery (1904)).

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KW - Degenerate Art

KW - Modernism

KW - Internationalism

KW - German Art

KW - National Socialism

KW - Nazism

M3 - Other chapter contribution

SN - 3038500496

SN - 9783038500490

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EP - 57

BT - London 1938 - Defending ‘degenerate’ art

A2 - Wasensteiner, Lucy

A2 - Faass, Martin

PB - NIMBUS

CY - Wädenswil

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Potter M. National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak: the reception of modern German art exhibitions in London, 1853-1934/Rezeption der Londoner Ausstellungen moderner deutscher Kunst 1853-1934. In Wasensteiner L, Faass M, editors, London 1938 - Defending ‘degenerate’ art: Mit Kandinsky, Liebermann und Nolde gegen Hitler. Wädenswil: NIMBUS. 2018. p. 42-57