This paper builds on recent work on the embodied geopolitics of tourism to investigate the Titan Missile Museum (TMM), a Cold War-era underground nuclear missile silo and command bunker in the southwest USA. In examining how visitors are not only persuaded to adopt certain attitudes towards the weaponry, but are enrolled in an embodied experience that is active in the formation of subjectivity that emerges from such an encounter, the paper draws on the philosophy of Jean Baudrillard and other nonrepresentational theorists to argue that this tourism encounter is a negative simulation that can be informed by a better understanding of "hyperreal" spectacle. This spectacle, however, does not simply fall in the realm of representation but is one that engages affect and emotion as important for the emergence of geopolitical subjectivity. While the TMM works to produce what Baudrillard might call a "non-event" out of nuclear geopolitics, it also takes the risk of getting too close to the bomb by simulating its launch. These dynamics are encapsulated in the highlight of the standard one-hour tour: the simulation of a missile launch, something that never took place. Drawing on our experience at the TMM and visitor comments left online at Yelp.com, as well as the broader archive of journalism and scholarship on the site, we also sense the possibility of something else emerging out of the embodied and performative materialities that constitute this site of "dark tourism".
|Number of pages||13|
|Journal||Transactions of the Institute of British Geographers|
|Early online date||23 Apr 2018|
|Publication status||Published - 2 Nov 2018|