No Oil Painting: digital originals and slow prints

Jo Briggs; Mark Blythe

No Oil Painting: digital originals and slow prints

Research output: Contribution to conference › Paper › peer-review

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Abstract

Slow technology is…in part a reaction against the impulses toward instantaneity afforded by digital technology. This paper explores the slow work of a contemporary ‘analogue’ painter in the context of current research enquiry into digital art, authenticity and value. A group of artists were recruited to take part in in depth interviews conducted in their studios. The paper describes the artist’s resolutely non digital practice and outlines a concept design for a ‘slow print’ based on his work.

Original language	English
Publication status	Published - 12 Jun 2012
Event	Slow Technology: Critical Reflection and Future Directions (in conjunction with DIS 2012) - Newcastle upon Tyne, UK Duration: 12 Jun 2012 → …

Workshop

Workshop	Slow Technology: Critical Reflection and Future Directions (in conjunction with DIS 2012)
Period	12/06/12 → …

Access to Document

11 JoBriggsMarkBlythe DIS MB JB camera readyFinal published version, 1 MB

http://www.dis2012.org/workshops.php#w13

Cite this

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title = "No Oil Painting: digital originals and slow prints",

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AB - Slow technology is…in part a reaction against the impulses toward instantaneity afforded by digital technology. This paper explores the slow work of a contemporary ‘analogue’ painter in the context of current research enquiry into digital art, authenticity and value. A group of artists were recruited to take part in in depth interviews conducted in their studios. The paper describes the artist’s resolutely non digital practice and outlines a concept design for a ‘slow print’ based on his work.

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No Oil Painting: digital originals and slow prints

Abstract

Workshop

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Cite this