On Organology: Taxonomy and Transdisciplinarity

Rachael Durkin, Darryl Martin

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

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    Abstract

    This chapter explores the relationship between organology and arguably its most impactful application: performance studies. The collection and display of obsolete and non-Western musical instruments galvanised domestic collecting of musical instruments for display and performance as well as the emergence of semi-professional collectors. Museums laid modern organology’s foundations by challenging traditional ideals of curation and conservatorship, principally because musical instruments require regular and highly specialised maintenance: many instruments rely on tension to remain intact or on moisture to prevent splitting. The concern organology and performance studies share for the significance of instrument innovation, design, and preferences lies at the heart of their affinity. Developments in musical instrument design and use always belong to cultural contexts and are the product of myriad influences, musical and extramusical. Organologists of all hues would therefore surely acknowledge that classification and the application of organological expertise are now inseparable.

    Original languageEnglish
    Title of host publicationThe Routledge Companion to Applied Musicology
    EditorsChris Dromey
    Place of PublicationLondon
    PublisherTaylor & Francis
    Chapter24
    Pages285-294
    Number of pages10
    Edition1st
    ISBN (Electronic)9781003042983
    ISBN (Print)9780367488246
    DOIs
    Publication statusPublished - 19 Sept 2023

    Publication series

    NameRoutledge Music Companions
    PublisherRoutledge

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