Abstract
In the Summer of 2022, a group of designers worked with English Heritage to create an installation at Aydon Castle, a thirteenth-century fortified manor house in the north of England. The project – Re-imagining Aydon – exhibited contemporary domestic artefacts designed in response to the history, aesthetics and atmosphere of the place (Figure 1).
Using a number of the artefacts by way of illustration, this paper will examine how heritage sites offer a valuable opportunity to connect past, present and future in the creation and (re)interpretation of material culture. We considered Aydon Castle to have, what archaeologist Michael Shanks might term, “polytemporal” potential —a perfect location for a form of “archaeological imagination” to flourish and draw together past, present and future in order to discuss how humans have lived, and how they could and should live .
Re-imagining Aydon represented a dialogical engagement with time and place, proposing new ways to engage visitors with the site at the same time as introducing an alternative sensibility in the way contemporary objects draw on the past. The installation prompted visitors to reconsider the otherwise empty castle as a place once full of life, both different and familiar to their own. As an inspiration to design practice, the castle effected a valuable decentering of our present priorities, towards a position that actively engages with the past in a more balanced past-present-future continuum.
Using a number of the artefacts by way of illustration, this paper will examine how heritage sites offer a valuable opportunity to connect past, present and future in the creation and (re)interpretation of material culture. We considered Aydon Castle to have, what archaeologist Michael Shanks might term, “polytemporal” potential —a perfect location for a form of “archaeological imagination” to flourish and draw together past, present and future in order to discuss how humans have lived, and how they could and should live .
Re-imagining Aydon represented a dialogical engagement with time and place, proposing new ways to engage visitors with the site at the same time as introducing an alternative sensibility in the way contemporary objects draw on the past. The installation prompted visitors to reconsider the otherwise empty castle as a place once full of life, both different and familiar to their own. As an inspiration to design practice, the castle effected a valuable decentering of our present priorities, towards a position that actively engages with the past in a more balanced past-present-future continuum.
Original language | English |
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Title of host publication | AMPS Proceedings Series |
Subtitle of host publication | Prague – Heritages: Past and Present - Built and Social |
Editors | Jitka Cirklová |
Publisher | Architecture Media Politics Society |
Chapter | 36 |
Pages | 347-359 |
Number of pages | 13 |
Publication status | Published - Apr 2024 |
Event | Re-imagining Aydon - Aydon Castle, Corbridge, United Kingdom Duration: 1 Jun 2023 → 31 Oct 2023 https://design-histories.com/Current-Reimagining-Aydon |
Publication series
Name | AMPS proceedings series |
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Publisher | Architecture Media Politics Society |
Number | 1 |
Volume | 35 |
ISSN (Print) | 2398-9467 |
Exhibition
Exhibition | Re-imagining Aydon |
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Country/Territory | United Kingdom |
City | Corbridge |
Period | 1/06/23 → 31/10/23 |
Internet address |