Abstract
The English Romeo and Juliet tradition is seldom read in a political light. This essay reconsiders the political status of the story’s first English adaptation by Arthur Brooke (which Shakespeare would later borrow heavily from) by reading it against a large dataset of 1562 printed texts. I contend that we should read this poem politically because that is what its readers, including Shakespeare, would almost certainly have done. Arguing against dominant scholarly assumptions of the poem and author’s anti-Catholic bias, I explain how The Tragical History of Romeus and Juliet resists religious persecution, instead emphasising tolerance and inclusivity across religious and political divides.
Original language | English |
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Pages (from-to) | 3-25 |
Journal | Cahiers Elisabethains |
Volume | 101 |
Issue number | 1 |
Early online date | 24 Feb 2020 |
DOIs | |
Publication status | Published - 1 Apr 2020 |
Keywords
- literature and politics
- reading
- Arthur Brooke
- William Shakespeare
- censorshipLittérature et politique
- lecture
- imprimerie
- censure