Abstract
Ian Inglis's “Revolution” offers a shrewd reading of the convoluted historical and cultural context inherent in the labyrinthine recording sessions for The Beatles (the White Album). Inglis establishes a complex level of acclaim and uncertainty for the Beatles at the dawn of 1968, ranging from the spellbinding success of Sgt. Pepper to the critical disdain for Magical Mystery Tour – not to mention the traumatizing specter of war and assassination on the international front. Inglis reads the resulting album as a strident contrast with the careful sense of direction and purpose that marked their earlier efforts, with the White Album sporting disunity, fragmentation, and disillusionment as its primary – if not primal – characteristics. In “On their way home: the Beatles in 1969 and 1970,”
Original language | English |
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Title of host publication | The Cambridge Companion To The Beatles |
Place of Publication | Cambridge |
Publisher | Cambridge University Press |
Pages | 112-124 |
ISBN (Print) | 978-0521869652 |
Publication status | Published - 2009 |