Abstract
In August 2014, Hiddo Dhawr – a cultural restaurant and “tourism village” – opened its doors in Hargeysa, becoming the first live music venue to operate in Somaliland since the war. In this chapter I explore how Hiddo Dhawr, and particularly the live performance of old love songs, are implicated in the shaping of post-war publics in contemporary Somaliland. Drawing on ethnographic data, I seek to unravel how Hiddo Dhawr’s mission of “heritage preservation”, twinned with its near exclusive focus on love songs, work to create space for the performance of music in contested terrain, providing audiences with the resources to reflect on the past, imagine different futures, and enact different ways of being in the present. I suggest that in so doing, Hiddo Dhawr’s audiences constitute a kind of alternative public, one where a “traditional” Somali identity is celebrated while audiences are freed to push the limits of everyday social conventions.
Original language | English |
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Title of host publication | Music and Dance Research in Eastern Africa |
Subtitle of host publication | Current Research in Humanities and Social Sciences |
Publisher | Twaweza Communications and IFRA |
Pages | 79 |
Number of pages | 90 |
Publication status | Published - 2018 |