Abstract
In 2020, video footage of Franchón Crews-Dezurn’s weave being forcibly removed from her head during a championship boxing match went viral on social media. A month later Deontay Wilder became an internet meme on account of the excuse he gave (the weight of his ring walk costume) for his first professional loss. In response to the incidents, Crews-Dezurn reclaimed ownership of the viral moment, patenting the hashtag associated with the clip and building a merchandising and branding campaign focused on challenging gendered narratives about Black female bodies and hair. A month after his incident, Wilder collaborated with AFROPOLiTAiN magazine in a photoshoot depicting him as an African king. We apply a reading of social avatars and futurism to these case studies. We argue perceptions of social avatars, as they pertain to both boxers, queer the hegemonic readings of their gendered and racial bodies.
Original language | English |
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Pages (from-to) | 304-320 |
Number of pages | 17 |
Journal | Visual Resources |
Volume | 37 |
Issue number | 4 |
Early online date | 19 Feb 2024 |
DOIs | |
Publication status | Published - 2024 |
Keywords
- Boxing
- Social Avatars
- Futurism
- Crews-Dezur
- Wilder