Abstract
This video essay seeks to explore the confluence of theatrical presence in Hour of the Wolf and Mulholland Drive in a poetic mode derived from an audio "remix." It becomes a videographic deformation of the binary archive sources in which time appears in suspension.
| Original language | English |
|---|---|
| Pages (from-to) | 1-7 |
| Number of pages | 7 |
| Journal | [in]Transition |
| Volume | 12 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 11 Jun 2025 |
Keywords
- acoustmetre
- Lynch
- Bergman
- remix
- phantasmagoria
- performance
- theatre
- time
- sound manipulation
- looping