That Oceanic Feeling

This solo exhibition expanded upon previous research enquiring into systems of seabed mapping, addressing ‘the deep’ as a site of science, imagination and difference. A series of motifs connected to blindness/touch were used to evoke new forms of relationality; the unknown/unknowable character of the ocean standing for that which might trouble representational economies of the visible. In line with new thinking around the interconnection of human and ahuman the exhibition probed the limits of geophysical representation, foregrounding, ‘otherness’ to explore new inter-subjective paradigms of knowing and understanding.