This paper, and its accompanying suite of drawings and montages, approaches surface through Aldo Rossi’s notion of the analogical city. It does so in three ways: firstly, as the surface of the city, secondly as the surface of the drawing, and third as the analogical surface of thought between city and drawing. The first surface emphasises plan-based representation centred on an analytical gaze looking from above or outside to the city as a whole. The second is a quasi-perspectival and frontal surface with the analytical gaze looking at the city from the inside. The third surface is the conceptual hinge between those two positions. Through these three readings of surface I will discuss analogical strategies of formal, representational and disciplinary critique (including critique of scale, situation, form, space, figure and ground). I will discuss how the process of the critical removal of form creates an analogical space for projective possibility, and how the accumulation of form amounts to an erasure of form in Rossi’s work. The accompanying drawings and montages operate specifically in dialogue with Rossi’s analogical city, but function more broadly as a move toward developing the formal knowledge of architecture as a cultural and critical project.
|Issue number||2 Surface & Installation|
|Publication status||Published - 1 Mar 2018|