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The Diminished Figure of the Serial Killer in a Confession

Louise Wattis*

*Corresponding author for this work

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    Historically, the discipline of criminology has been concerned with offenders and the causes of crime. Criminology’s specific focus on victims, via the sub-discipline of victimology, began in the 1940s with the work of Hans Von Hentig but it gathered momentum in the wake of second wave feminism in the 1970s and feminist influences on criminology. These cultural phenomena helped to identify and refocus attention onto male violence against women and the shortcomings associated with legal and criminal justice responses to domestic and sexual violence. Responding to criticisms that radical criminology did not acknowledge victims of crime, left realist criminologists in the 1990s began to explore the impact crime had in urban areas, including a focus on victims of crime, disorder, and incivilities.
    Original languageEnglish
    Title of host publicationSerial Killing on Screen
    Subtitle of host publicationAdaptation, True Crime and Popular Culture
    EditorsSarah E. Fanning, Claire O’Callaghan
    Place of PublicationCham, Switzerland
    PublisherPalgrave Macmillan
    Pages57-77
    Number of pages21
    ISBN (Electronic)9783031178122
    ISBN (Print)9783031178115, 9783031178146
    DOIs
    Publication statusPublished - 1 Dec 2022

    Publication series

    NamePalgrave Studies in Crime, Media and Culture
    PublisherPalgrave Macmillan
    ISSN (Print)2946-3912
    ISSN (Electronic)2946-3920

    UN SDGs

    This output contributes to the following UN Sustainable Development Goals (SDGs)

    1. SDG 16 - Peace, Justice and Strong Institutions
      SDG 16 Peace, Justice and Strong Institutions

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