The Drift Table in Picture of Britain, Tate Britain

Andy Boucher; John Bowers; William Gaver; Sarah Pennington; Brendan Walker

The Drift Table in Picture of Britain, Tate Britain

Andy Boucher, John Bowers, William Gaver, Sarah Pennington, Brendan Walker

Research output: Non-textual form › Exhibition

Abstract

The Interaction Research Studio was invited to show the Drift Table in a dedicated space between the entrance hall and main galleries as part of the ?A Picture of Britain? exhibition at the Tate Britain. The curator estimated that about 10,000 people interacted with the piece.

Original language	Undefined/Unknown
Publication status	Published - 1 Jun 2005
Externally published	Yes

Research Group keywords

Interaction Research Studio

Access to Document

https://research.gold.ac.uk/id/eprint/4736/

Cite this

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title = "The Drift Table in Picture of Britain, Tate Britain",

abstract = "The Interaction Research Studio was invited to show the Drift Table in a dedicated space between the entrance hall and main galleries as part of the ?A Picture of Britain? exhibition at the Tate Britain. The curator estimated that about 10,000 people interacted with the piece.",

author = "Andy Boucher and John Bowers and William Gaver and Sarah Pennington and Brendan Walker",

year = "2005",

month = jun,

day = "1",

language = "Undefined/Unknown",

}

TY - ADVS

T1 - The Drift Table in Picture of Britain, Tate Britain

AU - Boucher, Andy

AU - Bowers, John

AU - Gaver, William

AU - Pennington, Sarah

AU - Walker, Brendan

PY - 2005/6/1

Y1 - 2005/6/1

N2 - The Interaction Research Studio was invited to show the Drift Table in a dedicated space between the entrance hall and main galleries as part of the ?A Picture of Britain? exhibition at the Tate Britain. The curator estimated that about 10,000 people interacted with the piece.

AB - The Interaction Research Studio was invited to show the Drift Table in a dedicated space between the entrance hall and main galleries as part of the ?A Picture of Britain? exhibition at the Tate Britain. The curator estimated that about 10,000 people interacted with the piece.

M3 - Exhibition

ER -