Abstract
This article critically examines the landscape and cityscape photography of EO Hoppe. In Picturesque Great Britain (1926), Hoppe presented a vision of the nation refracted through the prism of an older, Pictorialist aesthetic, whereas his later works, Romantic America (1927) and Deutsche Arbeit (1930) demonstrated a more enthusiastic response to the urban industrial world. This article analyses the cultural, commercial and ideological forces that helped shape Hoppe's work in Britain, Germany and the United States.
Original language | English |
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Pages (from-to) | 73-93 |
Journal | History of Photography |
Volume | 38 |
Issue number | 1 |
DOIs | |
Publication status | Published - Feb 2014 |
Keywords
- Deutsche Arbeit
- photobook
- reactionary modernism
- modernity
- Amerikanismus