Abstract
This article critically examines the landscape and cityscape photography of EO Hoppe. In Picturesque Great Britain (1926), Hoppe presented a vision of the nation refracted through the prism of an older, Pictorialist aesthetic, whereas his later works, Romantic America (1927) and Deutsche Arbeit (1930) demonstrated a more enthusiastic response to the urban industrial world. This article analyses the cultural, commercial and ideological forces that helped shape Hoppe's work in Britain, Germany and the United States.
| Original language | English |
|---|---|
| Pages (from-to) | 73-93 |
| Journal | History of Photography |
| Volume | 38 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - Feb 2014 |
Keywords
- Deutsche Arbeit
- photobook
- reactionary modernism
- modernity
- Amerikanismus