The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination

David J. Smith

The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination

David J. Smith^*

^*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

The earliest published continental source of the pavan is Dalza's Intabulatura de lauto, which contains five pavane alla venetiana and four pavane alla ferrarese. Exactly when the dance and its music arrived in England is open to debate, but the Emperor Charles V performed the new-fangled dance on his visit to Henry VIII in Windsor in 1522. It was during the last quarter of the sixteenth century that the pavan really came of age as a piece of serious art music for English composers, whether writing for keyboard, lute or consort. A further indication of the pavan's coming of age as a vehicle for artistic enterprise is a network of musical connections that can be traced between different composers' work in the years around 1600. One of the last English composers to exploit the opportunities provided by the pavan for the 'art and profundity' that so appealed to Thomas Mace was Thomas Tomkins.

Original language	English
Title of host publication	Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries
Subtitle of host publication	A Collection of Essays in Celebration of Peter Philips's 450th Anniversary
Editors	David J. Smith, Rachelle Taylor
Place of Publication	Farnham
Publisher	Ashgate
Chapter	2
Pages	11-30
Number of pages	20
ISBN (Electronic)	9781315597843
ISBN (Print)	9781472411983
Publication status	Published - 12 Dec 2013

Keywords

Peter Philips
English keyboard music
Networks
Recusant
Francis Tregian
Jan Pieterszoon Sweelinck
Richard Verstegan
Robert Parsons
William Stanley
William Byrd
Archducal court Brussels

Cite this

Smith, D. J. (2013). The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination. In D. J. Smith, & R. Taylor (Eds.), Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary (pp. 11-30). Ashgate.

Smith, David J. / The interconnection of religious, social and musical networks : Creating a context for the keyboard music of Peter Philips and its dissemination. Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary. editor / David J. Smith ; Rachelle Taylor. Farnham : Ashgate, 2013. pp. 11-30

@inbook{b4eaf549c5404e689f280d31a0bc4bd2,

title = "The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination",

abstract = "The earliest published continental source of the pavan is Dalza's Intabulatura de lauto, which contains five pavane alla venetiana and four pavane alla ferrarese. Exactly when the dance and its music arrived in England is open to debate, but the Emperor Charles V performed the new-fangled dance on his visit to Henry VIII in Windsor in 1522. It was during the last quarter of the sixteenth century that the pavan really came of age as a piece of serious art music for English composers, whether writing for keyboard, lute or consort. A further indication of the pavan's coming of age as a vehicle for artistic enterprise is a network of musical connections that can be traced between different composers' work in the years around 1600. One of the last English composers to exploit the opportunities provided by the pavan for the 'art and profundity' that so appealed to Thomas Mace was Thomas Tomkins.",

keywords = "Peter Philips, English keyboard music, Networks, Recusant, Francis Tregian, Jan Pieterszoon Sweelinck, Richard Verstegan, Robert Parsons, William Stanley, William Byrd, Archducal court Brussels",

author = "Smith, \{David J.\}",

year = "2013",

month = dec,

day = "12",

language = "English",

isbn = "9781472411983",

pages = "11--30",

editor = "Smith, \{David J.\} and Rachelle Taylor",

booktitle = "Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries",

publisher = "Ashgate",

address = "United Kingdom",

}

Smith, DJ 2013, The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination. in DJ Smith & R Taylor (eds), Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary. Ashgate, Farnham, pp. 11-30.

The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination. / Smith, David J.
Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary. ed. / David J. Smith; Rachelle Taylor. Farnham: Ashgate, 2013. p. 11-30.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

TY - CHAP

T1 - The interconnection of religious, social and musical networks

T2 - Creating a context for the keyboard music of Peter Philips and its dissemination

AU - Smith, David J.

PY - 2013/12/12

Y1 - 2013/12/12

N2 - The earliest published continental source of the pavan is Dalza's Intabulatura de lauto, which contains five pavane alla venetiana and four pavane alla ferrarese. Exactly when the dance and its music arrived in England is open to debate, but the Emperor Charles V performed the new-fangled dance on his visit to Henry VIII in Windsor in 1522. It was during the last quarter of the sixteenth century that the pavan really came of age as a piece of serious art music for English composers, whether writing for keyboard, lute or consort. A further indication of the pavan's coming of age as a vehicle for artistic enterprise is a network of musical connections that can be traced between different composers' work in the years around 1600. One of the last English composers to exploit the opportunities provided by the pavan for the 'art and profundity' that so appealed to Thomas Mace was Thomas Tomkins.

AB - The earliest published continental source of the pavan is Dalza's Intabulatura de lauto, which contains five pavane alla venetiana and four pavane alla ferrarese. Exactly when the dance and its music arrived in England is open to debate, but the Emperor Charles V performed the new-fangled dance on his visit to Henry VIII in Windsor in 1522. It was during the last quarter of the sixteenth century that the pavan really came of age as a piece of serious art music for English composers, whether writing for keyboard, lute or consort. A further indication of the pavan's coming of age as a vehicle for artistic enterprise is a network of musical connections that can be traced between different composers' work in the years around 1600. One of the last English composers to exploit the opportunities provided by the pavan for the 'art and profundity' that so appealed to Thomas Mace was Thomas Tomkins.

KW - Peter Philips

KW - English keyboard music

KW - Networks

KW - Recusant

KW - Francis Tregian

KW - Jan Pieterszoon Sweelinck

KW - Richard Verstegan

KW - Robert Parsons

KW - William Stanley

KW - William Byrd

KW - Archducal court Brussels

UR - https://www.taylorfrancis.com/books/e/9781315597843

UR - https://www.scopus.com/pages/publications/84938283338

M3 - Chapter

AN - SCOPUS:84938283338

SN - 9781472411983

SP - 11

EP - 30

BT - Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries

A2 - Smith, David J.

A2 - Taylor, Rachelle

PB - Ashgate

CY - Farnham

ER -

Smith DJ. The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination. In Smith DJ, Taylor R, editors, Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips's 450th Anniversary. Farnham: Ashgate. 2013. p. 11-30

The interconnection of religious, social and musical networks: Creating a context for the keyboard music of Peter Philips and its dissemination

Abstract

Keywords

Other files and links

Fingerprint

Networks of music and culture in the late sixteenth and early seventeenth centuries: A collection of essays in celebration of Peter Philips's 450th anniversary

Cite this