The Mechanism and Materials of Painting Colour ‘Ad Vivum’ in the Eighteenth Century

Richard Mulholland

doi:10.1163/9789004393998_012

The Mechanism and Materials of Painting Colour ‘Ad Vivum’ in the Eighteenth Century

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Original language	English
Title of host publication	Ad vivum?: Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800
Editors	Thomas Balfe, Joanna Woodall, Claus Zittel
Publisher	Brill Academic Publishers
Chapter	11
Pages	328-355
Number of pages	27
Volume	61
ISBN (Print)	9789004329942
DOIs	https://doi.org/10.1163/9789004393998_012
Publication status	Published - 27 Jun 2019
Externally published	Yes

Publication series

Name	Intersections
Publisher	Brill
Volume	61
ISSN (Print)	1568-1181

Keywords

early modern
natural history
Art and Science
Colour
Botanical
CONSERVATION
pigments

Access to Document

10.1163/9789004393998_012

Cite this

@inbook{9bd1960086484661879222ccfe341c86,

title = "The Mechanism and Materials of Painting Colour {\textquoteleft}Ad Vivum{\textquoteright} in the Eighteenth Century",

keywords = "early modern, natural history, Art and Science, Colour, Botanical, CONSERVATION, pigments",

author = "Richard Mulholland",

year = "2019",

month = jun,

day = "27",

doi = "10.1163/9789004393998\_012",

language = "English",

isbn = "9789004329942",

volume = "61",

series = "Intersections",

publisher = "Brill Academic Publishers",

pages = "328--355",

editor = "Thomas Balfe and Joanna Woodall and Claus Zittel",

booktitle = "Ad vivum?: Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800",

address = "Netherlands",

}

The Mechanism and Materials of Painting Colour ‘Ad Vivum’ in the Eighteenth Century. / Mulholland, Richard.
Ad vivum?: Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800. ed. / Thomas Balfe; Joanna Woodall; Claus Zittel. Vol. 61 Brill Academic Publishers, 2019. p. 328-355 (Intersections; Vol. 61).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

TY - CHAP

T1 - The Mechanism and Materials of Painting Colour ‘Ad Vivum’ in the Eighteenth Century

AU - Mulholland, Richard

PY - 2019/6/27

Y1 - 2019/6/27

KW - early modern

KW - natural history

KW - Art and Science

KW - Colour

KW - Botanical

KW - CONSERVATION

KW - pigments

UR - https://brill.com/view/title/33864

U2 - 10.1163/9789004393998_012

DO - 10.1163/9789004393998_012

M3 - Chapter

SN - 9789004329942

VL - 61

T3 - Intersections

SP - 328

EP - 355

BT - Ad vivum?: Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800

A2 - Balfe, Thomas

A2 - Woodall, Joanna

A2 - Zittel, Claus

PB - Brill Academic Publishers

ER -

The Mechanism and Materials of Painting Colour ‘Ad Vivum’ in the Eighteenth Century

Publication series

Keywords

Access to Document

Other files and links

Painting by Numbers: Decoding Ferdinand Bauer’s Flora Graeca Colour Code

Ferdinand Bauer’s Flora Graeca colour code

Cite this