Research output per year
Research output per year
Paul Goodfellow, Steve Gibson
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
This chapter will consider the period from 2000 to the present day and discuss how the artistic reality of the early 21st century has been one of post-conceptualism. Whilst the legacies of conceptualism and postmodernism remained, so far the 21st century has not had a dominant artistic ideology; rather, this century has seen a proliferation of hybrid practices with many offshoots and (sub)genres. Covering a broad series of topics from virtuality, to post-humanism, to cybernetics, to systems art, this chapter will chart how Live Visuals is situated within this wider, more pluralistic creative culture, whilst also covering the historical advancements of the 21st century (VJing, audio-visual performance, etc.). Key Live Visual works such as Klip Collective’s What’s He Building in There? and Universal Everything’s Infinity will be used to illustrate how post-conceptualism has yielded a promiscuous blend of the formal and the conceptual that was previously not reconciled or even reconcilable in modernism or postmodernism.
Original language | English |
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Title of host publication | Live Visuals |
Subtitle of host publication | History, Theory, Practice |
Editors | Gibson Steve, Stefan Arisona, Donna Leishman, Atau Tanaka |
Place of Publication | London |
Publisher | Taylor & Francis |
Pages | 109-132 |
Number of pages | 24 |
ISBN (Electronic) | 9781003282396 |
ISBN (Print) | 9781032252612, 9781032252681 |
DOIs | |
Publication status | Published - 29 Jul 2022 |
Name | Routledge Advances in Theatre & Performance Studies |
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Publisher | Routledge |
Research output: Book/Report › Book › peer-review