TY - JOUR
T1 - The Review of English Studies Prize Essay 'Like a Hand in the Margine of a Booke': William Blount's Marginalia and the Politics of Sidney's Arcadia
AU - Schurink, Fred
PY - 2008
Y1 - 2008
N2 - This article examines an unusually full set of contemporary manuscript marginalia in a copy of the 1593 edition of Sir Philip Sidney's The Countess of Pembroke's Arcadia in the Folger Shakespeare Library, most likely written by William Blount, seventh Lord Mountjoy. The marginalia demonstrate a considerable interest in the political dimension of the Arcadia, particularly in relation to Tacitus's histories, which were associated with the circle of the Earl of Essex in the 1590s. Nowhere, however, do they make an explicit connection between Sidney's work and contemporary politics. Moreover, the annotations indicate that Blount's interest in the Arcadia was by no means confined to politics and that he considered other themes independently of it. The largest group of marginalia in fact concerns ethics, and many deal with love. Blount used narrative parallels, particularly from the fourth book of Virgil's Aeneid, to explore the feelings of characters, especially women, but he was also enthused by erotic passages and included some misogynist comments. This response of a contemporary of Sidney complicates and questions recent critics’ accounts of the politics of Sidney's Arcadia and suggests an interpretation that highlights the rich variety and complexity of the work.
AB - This article examines an unusually full set of contemporary manuscript marginalia in a copy of the 1593 edition of Sir Philip Sidney's The Countess of Pembroke's Arcadia in the Folger Shakespeare Library, most likely written by William Blount, seventh Lord Mountjoy. The marginalia demonstrate a considerable interest in the political dimension of the Arcadia, particularly in relation to Tacitus's histories, which were associated with the circle of the Earl of Essex in the 1590s. Nowhere, however, do they make an explicit connection between Sidney's work and contemporary politics. Moreover, the annotations indicate that Blount's interest in the Arcadia was by no means confined to politics and that he considered other themes independently of it. The largest group of marginalia in fact concerns ethics, and many deal with love. Blount used narrative parallels, particularly from the fourth book of Virgil's Aeneid, to explore the feelings of characters, especially women, but he was also enthused by erotic passages and included some misogynist comments. This response of a contemporary of Sidney complicates and questions recent critics’ accounts of the politics of Sidney's Arcadia and suggests an interpretation that highlights the rich variety and complexity of the work.
U2 - 10.1093/res/hgm039
DO - 10.1093/res/hgm039
M3 - Article
SN - 0034-6551
VL - 59
SP - 1
EP - 24
JO - The Review of English Studies
JF - The Review of English Studies
IS - 238
ER -