The Role of Madoguchi in Transnational Fashion: Translating Japanese and British Fashion

Catherine Glover

The Role of Madoguchi in Transnational Fashion: Translating Japanese and British Fashion

Research output: Contribution to conference › Other › peer-review

Abstract

Café conversation with conference co-convenor, Dr Elizabeth Kramer, regarding my role for seven years as a 'madoguchi', i.e. cultural 'gatekeeper' and journalist, reporting on avant garde British fashion, design and architecture for the high end, experimental, Japanese magazine, Hanatsubaki, owned by Shiseido. The conversation included showing a range of editorial magazines, and discussing the features that I had written and had been published, to unravel the process of investigating, sourcing, reporting and translation of British cultural acuity and taste, to a transnational audience. I had written 300+ features for this magazine over 7 years.

Original language	English
Publication status	Published - 2014
Event	Fashion and Translation: Britain, Japan, China, Korea - Northumbria University, Newcastle Upon Tyne, United Kingdom Duration: 1 Oct 2014 → 31 Oct 2014 https://gtr.ukri.org/projects?ref=AH%2FK008315%2F1

Conference

Conference	Fashion and Translation
Country/Territory	United Kingdom
City	Newcastle Upon Tyne
Period	1/10/14 → 31/10/14
Internet address	https://gtr.ukri.org/projects?ref=AH%2FK008315%2F1

Cite this

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title = "The Role of Madoguchi in Transnational Fashion: Translating Japanese and British Fashion",

abstract = "Caf{\'e} conversation with conference co-convenor, Dr Elizabeth Kramer, regarding my role for seven years as a 'madoguchi', i.e. cultural 'gatekeeper' and journalist, reporting on avant garde British fashion, design and architecture for the high end, experimental, Japanese magazine, Hanatsubaki, owned by Shiseido. The conversation included showing a range of editorial magazines, and discussing the features that I had written and had been published, to unravel the process of investigating, sourcing, reporting and translation of British cultural acuity and taste, to a transnational audience. I had written 300+ features for this magazine over 7 years. ",

author = "Catherine Glover",

year = "2014",

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note = "Fashion and Translation : Britain, Japan, China, Korea ; Conference date: 01-10-2014 Through 31-10-2014",

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T1 - The Role of Madoguchi in Transnational Fashion

T2 - Fashion and Translation

AU - Glover, Catherine

PY - 2014

Y1 - 2014

N2 - Café conversation with conference co-convenor, Dr Elizabeth Kramer, regarding my role for seven years as a 'madoguchi', i.e. cultural 'gatekeeper' and journalist, reporting on avant garde British fashion, design and architecture for the high end, experimental, Japanese magazine, Hanatsubaki, owned by Shiseido. The conversation included showing a range of editorial magazines, and discussing the features that I had written and had been published, to unravel the process of investigating, sourcing, reporting and translation of British cultural acuity and taste, to a transnational audience. I had written 300+ features for this magazine over 7 years.

AB - Café conversation with conference co-convenor, Dr Elizabeth Kramer, regarding my role for seven years as a 'madoguchi', i.e. cultural 'gatekeeper' and journalist, reporting on avant garde British fashion, design and architecture for the high end, experimental, Japanese magazine, Hanatsubaki, owned by Shiseido. The conversation included showing a range of editorial magazines, and discussing the features that I had written and had been published, to unravel the process of investigating, sourcing, reporting and translation of British cultural acuity and taste, to a transnational audience. I had written 300+ features for this magazine over 7 years.

M3 - Other

Y2 - 1 October 2014 through 31 October 2014

ER -

The Role of Madoguchi in Transnational Fashion: Translating Japanese and British Fashion

Abstract

Conference

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