TY - JOUR
T1 - “Time, no arrow, no boomerang, but a concertina”: Cloud Atlas and the anti-apocalyptic critical temporalities of the contemporary post-apocalyptic novel
T2 - Cloud Atlas and the anti-apocalyptic critical temporalities of the contemporary post-apocalyptic novel
AU - De Cristofaro, Diletta
PY - 2018/3/15
Y1 - 2018/3/15
N2 - Through the paradigmatic example of David Mitchell’s Cloud Atlas, I argue that contemporary post-apocalyptic fictions articulate temporalities critical of Western modernity’s apocalyptic understanding of history. The article’s first section outlines the history of apocalyptic discourse and fleshes out the connection between postmodern theories of historiography and contemporary post-apocalyptic novels: these invite us to reflect on history qua narrative, while challenging an essentially apocalyptic model of narrative. The second section focuses on Cloud Atlas’s concertina-like structure, which resists a telic closure, warps the deterministic linearity of apocalyptic history and of traditional plots, and, through recurring patterns, foregrounds the dystopian implications of apocalypticism. The third section considers these implications in Cloud Atlas—from colonialism to the future neo-colonial biopower of corporations and anthropogenic environmental crises. Finally, I examine how the content and structure of the novel combine to exalt individual agency against the determinism and predatory behavior supported by the apocalyptic metanarrative.
AB - Through the paradigmatic example of David Mitchell’s Cloud Atlas, I argue that contemporary post-apocalyptic fictions articulate temporalities critical of Western modernity’s apocalyptic understanding of history. The article’s first section outlines the history of apocalyptic discourse and fleshes out the connection between postmodern theories of historiography and contemporary post-apocalyptic novels: these invite us to reflect on history qua narrative, while challenging an essentially apocalyptic model of narrative. The second section focuses on Cloud Atlas’s concertina-like structure, which resists a telic closure, warps the deterministic linearity of apocalyptic history and of traditional plots, and, through recurring patterns, foregrounds the dystopian implications of apocalypticism. The third section considers these implications in Cloud Atlas—from colonialism to the future neo-colonial biopower of corporations and anthropogenic environmental crises. Finally, I examine how the content and structure of the novel combine to exalt individual agency against the determinism and predatory behavior supported by the apocalyptic metanarrative.
KW - Cloud Atlas
KW - David Mitchell
KW - post-apocalyptic fiction
KW - anti-apocalypse
KW - critical temporality
U2 - 10.1080/00111619.2017.1369386
DO - 10.1080/00111619.2017.1369386
M3 - Article
SN - 0011-1619
VL - 59
SP - 243
EP - 257
JO - Critique - Studies in Contemporary Fiction
JF - Critique - Studies in Contemporary Fiction
IS - 2
ER -