Lee Barron

Associate Professor, Faculty Head of International Development

Publications

  1. 2020
  2. Ultraviolent Gothic Visions: Lucio Fulci’s ‘Gates of Hell’ Trilogy as Derridean Cinematic Haunted Spaces

    Barron, L., 20 Jul 2020, In : Gothic Studies. 22, 2, p. 197-213

    Research output: Contribution to journalArticle

  3. 2019
  4. A history of realistic rock rebellion: Rush, Heidegger and the spirit of authenticity

    Barron, L., 16 Dec 2019, In : Popular Music History. 11, 3, p. 210-227 17 p.

    Research output: Contribution to journalArticle

  5. The Workmanship of Risk Meets Reality TV: The History Channel’s Forged in Fire

    Barron, L., 28 Apr 2019, In : Journal of Modern Craft. 11, 3, p. 233-248 16 p.

    Research output: Contribution to journalArticle

  6. 2018
  7. Postmodern theories of celebrity

    Barron, L., 5 Mar 2018, Routledge Handbook of Celebrity Studies. Elliott, A. (ed.). Taylor & Francis, p. 58-72 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. 2017
  9. Tattoo Culture: Theory and Contemporary Contexts

    Barron, L., 1 Jul 2017, London & New York: Rowman & Littlefield. 204 p.

    Research output: Book/ReportBook

  10. 2016
  11. Pulling down barriers: Neil Peart, autobiographical confession and negotiated rock celebrity

    Barron, L., 1 Aug 2016, In : Celebrity Studies. 7, 3, p. 323-338 16 p.

    Research output: Contribution to journalArticle

  12. 2013
  13. Social theory in popular culture

    Barron, L., 2013, Basingstoke: Macmillan. 184 p.

    Research output: Book/ReportBook

  14. The sound of street corner society: UK grime music as ethnography

    Barron, L., 2013, In : European Journal of Cultural Studies. 16, 5, p. 531-547

    Research output: Contribution to journalArticle

Previous 1 2 3 Next