Lee Barron

Associate Professor, Faculty Head of International Development

Publications

  1. 2010
  2. 2009
  3. From social experiment to postmodern joke: Big Brother and the progressive construction of celebrity

    Barron, L., Dec 2009, The tube has spoken: reality TV and history. Taddeo, J. A. & Dvorak, K. (eds.). Kentucky: The University Press of Kentucky, p. 27-46

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  4. Scary movies, scary music: uses and unities of heavy metal in the contemporary horror film

    Barron, L. & Inglis, I., Jul 2009, Terror tracks: music sound and horror cinema. Hayward, P. (ed.). Equinox, p. 186-197

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  5. An actress compelled to act: Angelina Jolie's notes from my travels as celebrity activist/travel narrative

    Barron, L., Jun 2009, In: Postcolonial Studies. 12, 2, p. 211-228

    Research output: Contribution to journalArticlepeer-review

  6. Droogs, electro-voodoo and kyborgs: pastiche, postmodernism and Kylie Minogue live

    Barron, L., Mar 2009, In: Nebula. 6, 1, p. 78-92

    Research output: Contribution to journalArticlepeer-review

  7. 2008
  8. The seven ages of Kylie Minogue: postmodernism, identity, and performative mimicry.

    Barron, L., Dec 2008, In: Nebula. 5, 4, p. 46-63

    Research output: Contribution to journalArticlepeer-review

  9. 1999
  10. Developing Independence: The experience of the Lawnmowers Theatre Company

    Price, D. & Barron, L., Nov 1999, In: Disability & Society. 14, 6, p. 819-829

    Research output: Contribution to journalArticlepeer-review

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